tag:blogger.com,1999:blog-5756292796580291035.post7448535010028892881..comments2023-10-01T01:56:19.699-07:00Comments on You Made Me Theorize: Richard Wright, "Black Boy"Joseph P. Fisherhttp://www.blogger.com/profile/12757706787232014827noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-5756292796580291035.post-87358426997819659492009-11-06T06:27:46.287-08:002009-11-06T06:27:46.287-08:00Is there a difference between reading in the tradi...Is there a difference between reading in the tradition, and writing in one's own tradition? In other words, Gates, to a certain extent, argues for the establishment of a new African American tradition/canon. Does he completely rule out the "traditional" (white) canon in the process, though? This question goes back to one that I asked repeatedly on Tuesday: Isn't reducing Gates' (and Baker's) work to simple white/black oppositions too reductive? Aren't they articulating concepts more complex than that? To frame things in terms of Wright, isn't writing his own life story an act of creation--an act that might help launch the tradition for which Gates argues?Joseph P. Fisherhttps://www.blogger.com/profile/12757706787232014827noreply@blogger.comtag:blogger.com,1999:blog-5756292796580291035.post-83474487263765347762009-11-06T06:02:36.914-08:002009-11-06T06:02:36.914-08:00I agree about the beneficial nature of sharing ide...I agree about the beneficial nature of sharing ideas. In my view, modernity and tradition, the wealthy and lower class, European and Latin, etc (ie binaries and all the gray areas in between them) can all inform each other; as the old saying goes, two heads (or multiple in this case) are better than one. Openness to different perspectives can offer one ways of thinking that he or she might have never approached on his or her own. In turn one can become a more globally knowlegdable and insightful person. Perhaps that is why Anzulduo so strongly promotes a "mestiza" consciousness.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5756292796580291035.post-9929065541821749952009-11-05T16:53:43.634-08:002009-11-05T16:53:43.634-08:00I really like the last question you brought up, Me...I really like the last question you brought up, Megan, saying, "Can a man such as Wright retain his blackness and still develop his own literature persona and tastes through these western writers?" <br /><br />I don't really see why not. I think limiting his literary development to writers close to his own socioeconomic background negates the entire concept of literature, of the sharing of ideas across different backgrounds and contexts. As an English major, I learn from a variety of writers. Some of my favorite writers are Sandra Ciseneros and Langston Hughes, though I'm neither Hispanic nor black. Nonetheless, I can still learn from their techniques to form my own development/identity as a writer and a student, and I think it can be similar for anyone else who tries to understand themselves through understanding their studies. <br /><br />Also going to the question of language, wouldn't it be just as jarring to limit oneself to "black language" just because it's different from common language found in classical literature? If you have to go out of your way to fit into any kind of persona that may be or feel unnatural, then where is the identity in that?Mariellehttps://www.blogger.com/profile/16567018596301817447noreply@blogger.comtag:blogger.com,1999:blog-5756292796580291035.post-83419187588541363732009-11-05T11:49:32.295-08:002009-11-05T11:49:32.295-08:00I think this is an awesome insight and you bring u...I think this is an awesome insight and you bring up some really good points. I also think we can extend this comparison to Tuesday's discussion of the Public Enemy lyrics. The hip hop band in "Burn Hollywood Burn" was urging the black population to turn away from current Hollywood portrayals of the black man and to subscribe to a new kind of portrayal, of which the black man himself could control. The group urges its audience to look at true portrayals of the complexities of the black man through the eyes of the black man himself, i.e. Spike Lee. Here, I think that Gates would agree, arguing that the black man should find himself in a language (s) [in which] black people ... represent their critical or ideological positions." (Gates 2431) Although the Hollywood movies of the "other side" may at times be compelling, and easy to get lost in, as the traditional novels were to Wright, for Gates there is nothing to be gained through this type of mental submission.Deborah Mattelianohttps://www.blogger.com/profile/09582201120670734419noreply@blogger.com