Showing posts with label popular culture. Show all posts
Showing posts with label popular culture. Show all posts

Friday, April 23, 2010

Science, Music, and Art, Oh My.

Remember Pynchon's Entropy?

As much as some of us loved or hated Entropy, I'm in the midst of writing a paper on the representations of gender through advertising in the 1950s, and so I decided to look up some (only some) of the multitude of pop culture references Pynchon imported for the story, which is supposed to take place in 1957. Here is some of what I found (click on the images for more info on each):

"[Callisto's] had always been a vigorous, Italian sort of pessimism: like Machiavelli, he allowed the forces of virtu and fortuna to be about 50/50; but the equations introduced and random factor which pushed the odds to some unutterable and indeterminate ratio which he foundhimself afraid to calculate."

Machiavelli - Footnote: Niccolo Machiavelli (1469-1537), Forentine statesman and writer on government, contrasted virtuous behavior (virtu) with good luck (fortuna) (p. 2821).


"He was an ex-Hungarian freedom fighter who had easily the worst chronic case of what certain critics of the middle class have called Don Giovannism in the District of Columbia" (p. 2820).

Don Giovanni - An opera in two acts by Mozart. "Don Giovanni, a young nobleman, after a life of amorous conquests, meets defeat in three encounters. The first is with Donna Elvira, whom he has deserted but who still follows him. The second is with Donna Anna, who must postpone her marriage to Don Ottavio after Don Giovanni tries to rape her and kills her father, the Commendatore, escaping afterwards. The third is with Zerlina, whom he vainly tries to lure from her fiancé, the peasant Masetto. All vow vengeance on Don Giovanni and his terribly harassed servant Leporello. Elvira alone weakens in her resolution and attempts reconciliation in the hope that Giovanni will reform. Don Giovanni's destruction and deliverance to hell are effected by the cemetery statue of the Commendatore, who had accepted the libertine's invitation to supper" (Wikipedia).













"Soon Meatball said: 'It was something earthshattering, no doubt. Like who is better, Sal Mineo or Ricky Nelson.' "

Sal Mineo (L) and Ricky Nelson (R) - Footnote: Contemporary figures from film and television who were icons of bad and good teenage behavior respectively
(p. 2822).


Krinkles to one of the 'coeds,' "When Dave was in the army, just a private E-2, they sent him down to Oak Ridge on special duty. Something to do with the Manhattan Projec
t. He was handing hot stuff one say and got an overdose of radiation. So now he's got to wear lead gloves all the time."

The Manhattan Project - footnote: The research that developed the atomic bomb for the use at the end of World War II (p. 2823). In a national survey at the turn of the millennium, both journalists and the public ranked the dropping of the atomic bomb and the end of the Second World War as the top news stories of the twentieth-century (from: http://www.cfo.doe.gov/me70/manhattan/).


Saul to Meatball, " 'Miriam has been reading science fiction again. That and Scientific American. It seems she is, as we say, bugged at this idea of computers acting like people." (p.2822)

Scientific American Magazine - The oldest continuously published magazine in the U.S., has been bringing its readers unique insights about developments in science and technology for more than 160 years. (from http://www.scientificamerican.com/pressroom/aboutus-history.cfm)



"...And then this crew off the good ship Lollipop or whatever it was might to take it upon themselves to kick down the closet door, for a lark."

Good Ship Lollipop - Footnote: The subject of film and song popularized in the 1930s by the American child actress Shirley Temple (p. 2826). (Click on this image of Shirley Temple to specifically see the part of the film where she sings the song. I don't quite know what to make if it...)



Some of these references have come up more than once through our readings this semester (ie The Manhattan Project - in Postcards: the Uranium mines, Scientific American - in Elizabeth Bishop's "In the Waiting Room": comparable to National Geographic)

Tuesday, January 19, 2010

Letters from the Real World

Well, folks, the new season of 24 has begun, and I'm loving it. It's a not-so-guilty pleasure of mine that I reveal to virtually everyone I meet. "You don't watch 24! Never seen it!! WTF!!!", these conversations tend to go.

Having said all of that, I have grown a bit weary of the series, and I've argued quite openly that if in fact this show is meant to be "realistic" (which is what it would lead you to believe what with it's incessant countdown clock framing, literally, every minute of each episode), the most realistic thing that could happen in it would be for Jack Bauer to die. After all, why is it that he's the only character who does the right thing and who can get there in just the nick of time and is a crack shot even when under fire and can withstand exposure to bioweaponry? Oh, that's right. It's because he's the star--and the main reason that we tune in to watch the show. Kill him off--no mater how realistic a move it would be (and it would be a really real one)--and ratings could plummet, I suppose.

So in any case, ENG 72 is off and running with its discussions of realism, so now's as appropriate a time as any to think about how this contemporary fictionalized reality show actually matches up against the reality of the real world. These distinctions are obviously not neat ones, IMO (if you couldn't glean that much from my deliberately muddled prose), so let's, um, interrogate them. Click here to watch a video about the reality of televised representations of torture.

Saturday, November 7, 2009

It's Black and It's White

I just came across this article that definitely relates to the most recent racially fueled discussions we've had in class... in a unique way.   How would Baker or Gates react to this incident?

The roots of Blackface are arguably discriminatory by today's standards.  Why is this? Does society frown upon imitating other cultures?  Is the racial climate too unstable to find any source of comedy in relation to it?  I think this incident is fascinating mostly because I can't help but wonder what the outcome would be if African American students dressed in whiteface and paraded around the GWU campus.  I'm almost certain it would be given very little attention– if any at all.